Wednesday, June 30, 2010

Book: FEED by Mira Grant

Since reading Max Brooks’ amazing World War Z, I’ve been trying to track down quality zombie novels that take place well after the zombies have decimated the population, when society is trying to survive/rebuild. I also require that any zombie lit I read is at least somewhat scientifically plausible. The solid FEED by Mira Grant fit both those requirements nicely.

Sister and brother team Georgia and Shaun Mason, along with tech expert Buffy Meissonier, are a team of blog-based journalists (now a legitimate news medium, with classifications and levels) covering a presidential candidate’s campaign 26 years after the Uprising, when the mutated combination virus “Kellis-Amberlee” swept over earth. FEED is a “zombie political thriller”, combining dirty political dealings with daily attacks and the many routines people have to take to survive, such as blood tests and decontamination upon entering a building or secure area. Yes, the science is speculative, but it’s grounded in facts. There are also some nice cultural homages in the novel. For example, many children born after the uprising are named either George, Georgina, or Georgette (after George A. Romero), or Shaun (as in Shaun of the Dead). Risk takers who get thrills out of poking zombies with sticks are called “Irwins”, after the late alligator hunter Steve Irwin. Journalists are categorized as Newsies (straight up reporters) or Stewarts (commentators, after Jon Stewart).

FEED is a stellar (and largely gore-less) and unpredictable work of apocalyptic fiction that I tore through quickly. It is supposed to be the first book Grant’s “Newsflesh” trilogy, although I haven’t been able to find out a release date for the next book, BLACKOUT.

Orbit Books has a full site for FEED, including the entire first chapter, meta-sections such as The Wall memorial of fallen bloggers, and tips on surviving as an Irwin.

Monday, June 28, 2010

Shut up, Camille.

Cultural critic Camille Paglia gained fame by pushing the right “controversial” buttons during the rise of the “second wave” of feminism (or third, depending if you consider suffrage as the first wave) in the early 90’s. Now, twenty years later, I hoped that she shriveled up and disappeared, but every so often she publishes an essay or opinion piece that tries to push those same “controversial” buttons again.

Paglia’s latest opinion piece for the NY Times appeared on Sunday, titled “No Sex Please, We’re Middle Class”, and it is a complete mess. A hot mess. A messy mess.

It is the worst piece of writing I have read in the NY Times in a long, long time, coming from a supposedly educated, smart, aware cultural critic who is still held in high esteem in certain circles. (But not me - I always thought she was a pretentious windbag with little to say.)

I’ve read it through five or six times now, and still can’t follow the “logic” of how Paglia goes from libido-enhancing drugs for women, to Pilates, to “bootylicious” bodies (yes, she uses that exact word), to Debbie Harry and Madonna, and how white people are a bunch of repressed pussies.

Or at least that’s what I think she’s saying. Maybe. I got kind of distracted by her theory that the poor, working class, and minorities are less inhibited sexually because they frequently shop at Victoria’s Secret, prefer “bootylicious” body types, and because “black rhythm and blues” songs were full of “electrifying sexual imagery” (which is why white rock bands covered them). Also, there’s also no cock left in rock anymore, and country music is all tight ass traditional stories. There’s also something in there about how the modern office has somehow castrated both males and females, creating a “sanitized office space”. And apparently also “family life has put middle-class men in a bind; they are simply cogs in a domestic machine commanded by women”. She concludes (I think) that as a society we’re all too repressed to enjoy the potential benefits of a female enhancement pill, that the tight-ass, middle class whites don’t deserve it until we start... well, something.

It angers me that such a soft, squishy load of verbal diarrhea can make the Sunday NY Times, just because the author once was a controversial cultural critic. This essay is so poorly reasoned, constructed, (non)reasoned, and written, it almost reads like a first-year women’s studies student trying to either (a) impress the professor by being “shocking” or (b) parrot back exactly what the professor wants in an assignment. Maybe the paper ran an early draft of the essay by mistake. The content itself is also offensive, suggesting that the trashier, poorer, and less white are more sexually liberated, career aspirations have desexualized the workplace for the worse, and marriage somehow castrates men, while keeping them dressed in baggy t-shirts and sneakers.

Or at least I think that’s why it’s offensive. But I still haven’t figured out how the death of the Jazz Age, the production code, female avatars in video games, and the New Age movement fit into her argument.

It makes my brain hurt.

Sunday, June 27, 2010

Seq. Art: Tezuka and Gardenfors

Ode to Kirihito Vols. 1 and 2 / Osamu Tezuka
Apollo’s Song / Osamu Tezuka

Vertical, Inc. publishes translated books from Japan, including fiction, non-fiction, cookbooks, manga and more. I’ve been reading their Osamu Tezuka manga translations, which represent just a small fraction of his life’s output. Reading them, I’m continually stunned by the quantity of manga Japan has produced, and continues to produce, every week, for a low cost. Both these books are collections of stories that originally appeared in weekly format between 1970 and 1972.

Ode to Kirihito was a long, fantastic medical/horror manga. Tezuka holds a medical degree from Osaka University, but never practiced as a doctor, instead dedicating his life to manga and anime. This medical knowledge really adds to the story of Kirihito Osanai, a young doctor studying the strange “Monmow Disease”, which turns victims into dog-like creatures before killing them. The novel covers Kirihito’s year-long quest to find the cause of the disease, and also avenge the men who conspired to infect him. It’s an awesome story that not only explores medical ethics, but also questions the concept of “human”. I really enjoyed this, and now plan to try Tezuka’s Black Jack series, a long series about a superhuman doctor.

Unfortunately, I couldn’t finish Apollo’s Song. While I was intriguted by the concept that man must experience love and death over and over for eternity - I found some of animal torture by the protagonist too upsetting, although it was essential to the character of Shogo Chikaishi. The art was beautiful, and the page layouts interesting, but it just wasn’t the right manga for me.

* * * * * * * * * *

120 Days of Summer: A Graphic Odyssey Through Sweden / Simon Gardenfors

In late 2006, Swedish cartoonist Simon Gardenfors decided to sublet his apartment in Stockholm for four months, and travel around the country, spending no more than two nights sleeping in any location. He put up a website (which still exists, if you can read Swedish) asking for lodging around Sweden. After he lined up lodgings, he mapped out a route and took off.

It turned out to be quite a sleazy journey, filled with many sexual exploits with girls of all ages (in Sweden, the age of consent is rather low, but still some of the encounters are icky considering he was 28 at the time), drugs, drinking, fighting, and other unsavory adventures. Most of the time, Simon comes off as either an asshole or a douchebag. Simon’s content is in sharp contrast with his cartooning style, which is deceptively simple, and almost kid-like. It looks like a very twisted Peanuts.

120 Days of Simon wasn’t a particularly easy or pleasurable read, and was a disappointment in comparison with another Swedish book I picked up at MoCCA Fest, Hey Princess.

Thursday, June 24, 2010

Zine Picks: 06.24.2010

Unfortunately, I’ve been neglecting this blog a bit, and books, zines and comics that I want to write about just keep piling up. (Hopefully I’ll get through the pile of books and comics from MoCCA Fest in April before the Small Press Expo in September!)

I’ve received new issues of some favorite zines and comics the past few weeks worth your time and interest. It seems as if I’m always writing about the same titles, but they deserve all the press and orders and hugs and puppies they get.

You Don’t Get There From Here #14 by Carrie McNinch
In this issue of her diary comics (spanning 8 October 2009 to 2 January 2010), Carrie works through the death of her beloved, 15-year old cat Jesse. She travels to Oaxaca and makes an ofrenda for Jesse during Día de los Muertos. There’s also dental stories (including a horrible sounding procedure called a “frenectomy”), lots of running (rattlesnakes!), good food, supportive friends, library trips, music (she lists a daily song with each comic), and the lovely (if sometimes maddening) backdrop of L.A. I’ve said it before: Carrie makes L.A. incredibly appealing. (And I totally covet the books and music she finds at the library!) You can’t go wrong with YDGTFH, and you can start at any issue.
Available for $2 from Carrie McNinch, PO Box 49403, Los Angeles CA 90049, or through Microcosm Publishing.



Clutch #19: The Lost Years by Clutch McBastard
Clutch has been a little delinquent in publishing his diary comics (although they occasionally appear as a split issue with Invincible Summer), so this thick (320 pages) collection spans from July 2003 to September 2006, and it covers a lot. “A lot” being: house buying, house selling, moving, the IPRC, Portland, making stuff and doing things, zines, hair (he lets it grow long and shaggy), zines, creative discontent, the definition of ninja versus samurai, more Portland, more creative people, and more library trips. (Portland is another place I could move just for the libraries.)
Available for $8 from Microcosm Publishing.



Fish with Legs #13 by Eric Lyden
Eric Lyden was one of the first people to order I zine I published, way back around 1999, and we’ve been trading ever since. He’s a long-time contributor to the compilation zines I do, and I deeply admire his honest writing style. In the latest FwL, the “theme” is “Fun Facts and Loony Lists”, including “Things I Will Never Do”, “Things I’m Ashamed to Admit Made Me Cry”, and “Movies I Have Never Seen”. Eric has a really natural writing style, and it reminds me a bit of the late Mitch Hedberg*.

Some of my favorite observations from Fish With Legs #13:

“I long for the days when calling someone a “jive turkey” was a grave insult.”

“The other day I woke up thinking of a particularly amusing episode of MY THREE SONS I once saw. I bet that hasn’t happened to anyone in years.”

“A meal without bread is not a meal. If you think otherwise you’re only lying to yourself.”

Available for $1 from Eric Lyden, 224 Moraine St., Brockton MA 02301-3664. (Send him a couple of bucks and ask for some back issues!)

* Here’s my favorite Mitch Hedberg observation, ever: “I opened up a yogurt, and underneath the lid it said, "Please try again" because they were having a contest that I was unaware of. I thought maybe I opened the yogurt wrong. ...Or maybe Yoplait was trying to inspire me... "Come on Mitchell, don't give up!" An inspirational message from your friends at Yoplait, fruit on the bottom, hope on top.”

Wednesday, June 23, 2010

Of Interest (Design): 06.23.2010

+ While I say this all the time, I find it so true: packaging used to be so much more interesting. Designers just put so much more work into the box or bag or carton in which the product was encased, even for products intended for kids. Check out this set of vintage art supply packaging, most if it for kids' art supplies.

+ Incredible new ads for Sherwin Williams Paint by agency Buck are made entirely out of paint chip samples. I am unsure if this was all stop-motion animation, or mainly CGI, but either way, it's fantastic to watch. There's even "laundry" drying on the clothesline!

+ Artist John Cooley, an animator at Pixar, has been working on a series of images from what he calls "Inappropriate Golden Books", done in the style of vintage children's Golden Books. Obviously, to avoid the inevitable lawsuit (although, really, this probably falls under "artistic parody", the collection will be titled "Movies R Fun: A Lil' Inappropriate Book". He's planning to have them ready for SDCC next month, but here's a small gallery of samples. The Big Lebowski illustration really captures the essence of the film, don't you think?

Tuesday, June 22, 2010

Wish you were here (instead of me)

For the first printing of LOW HUG 9 (my regular zine project before SYNDICATE PRODUCT), I included a used, canceled postcard on the front of each copy, enclosed in a plastic postcard sleeve. Yes, it took some time to collect enough used postcards - I bought them in large lots on eBay - bag and attach each one to a cover, but it was totally worth it. It was a completely limited run and not repeated for subsequent runs of the issue. My only regret was that I didn't scan and keep digital copies of some of the stranger postcards used, like one for a Florida retirement village that featured a bunch of senior citizens in a hot tub.

However, I can still embrace the weirdness through the blog BAD POSTCARDS, a Tumblog of strange (and compellingly boring) advertising, travel, and other promotional postcards. How about this exciting one featuring a new Speed Queen washer and dryer? Or an awning company? Or this classic from the Concord Hotel, Kiamesha Lake, N.Y?

If BAD postcards aren't enough, how about some BORING postcards, too? Photographer Martin Parr is a collector of boring US and UK postcards, and has published a few (now out of print and hard to find) books chosen from his collection, Boring Postcards and Boring Postcards USA.

There are also a few other people who maintain boring postcard blogs. Here's a site from Sweden called Retroglobe that has a large collection (400+) of boring postcards. Another blog is simply called Boring Postcards, but is updated infrequently. There's a post on WFMU's Beware of the Blog about boring postcards that has some great examples and snappy writing. Finally, there's a Boring Postcard Flickr Pool that you can contribute finds to. Some of these take the concept of "boring" to an entirely new... something. How about a postcard illustrating Alentejan cuisine?

I've even got a boring postcard set on Flickr: a selection of postcards from American Cyanamid Company, Pearl River NY location, including a postcard of their cafeteria, "where good food at reasonable prices is served to 3,000 people every day."

Wheee.

Saturday, June 19, 2010

Intolerance.

[Note: This was a piece originally written for a zine project that never got out of beta, much less alpha. I was cleaning up some files, stumbled on it, cleaned it up, and now present it to you in all its crappy glory.

Warning... this essay talks about bowel functions (and mis-functions) in graphic detail.]


It was a lovely Saturday in either late October or early November 1998 in Central Illinois. I probably spent the day puttering around the house, reading, watching television, and so forth. That afternoon, I was watching something mindless on TV when a commercial for Steak 'n Shake appeared.

For those unfamiliar, Steak 'n Shake is a southern and midwest-based restaurant that lies somewhere between "fast food" and "casual sit-down" in the hierarchy of food chains. It has a drive through window, but inside has table seating and waitstaff. It's fairly cheap, basic food – burgers, sandwiches, breakfasts, sad excuses for salads, pie, Cincinnati chili – but reliably average and never terrible.

Steak 'n Shake are especially known for their "hand dipped, real milk" milkshakes that contain actual dairy products and are made to order, as opposed to the pre-mixed chemical slurry available at a place like McDonald's.

Usually I am resistant to advertising, but after seeing that Steak 'n Shake commercial, I thought, "Hmmm... those milkshakes look really good. When was the last time I had a milkshake? I can't remember. It's been years. It's a nice day out, not too cold yet for the fall. And there's a Steak 'n Shake just a few blocks from here. Yeah, I think I'll go get a vanilla milkshake."

So I quickly drove to the Steak 'n Shake and pulled up to the drive-thru window. Looking over the menu, I found that a large shake was only about forty cents more than a medium. I couldn't pass up such a deal, now could I? (Gee, why are Americans so chunky?) I supersized, paid the meager amount, and then jammed the cold, large plastic container into the cup holder, where it barely fit. While I don't remember the exact size of the shake, it was probably at least 32 ounces of vanilla milk and ice cream goodness which should have served four people. Should have.

I've always been a "fast eater", which is a bad habit, unseemly, and unhealthy. I suspect my talent for speed eating developed from growing up with a family who (a) never wasted food (you ate it then or the next day as leftovers), and (b) had members who would yoink something off your plate if it appeared as if you weren't going to eat it. (I suppose "yoinking" from each others' plates at the dinner table is another habit that doesn't faze me, although I know plenty of people who find it stomach-turning, so I don't do that anymore. My family also has the habit of re-using the same plate for the entire meal, from main course to dessert. Really, I assure you, we are a civilized peoples.)

Obviously when I got home, I inhaled that shake, sucking the cup clean, draining the dregs of the frothy treat. I probably thought it was awesome at the time. After finishing, I set the cup aside and resettled on the couch for more loafing.

About twenty or so minutes later, strange sounds started emitting from my stomach. Really LOUD sounds, like hunger pains times ten. Or twenty. I figured it was just a reaction to the cold milkshake. I started getting flop sweats, the kind that happen just before all the liquid in your body decides it wants to make an emergency exit via your colon (i.e., diarrhea). Then the cramps came, worse than any menstrual cramp I'd had in my entire life. I curled up into a fetal position on the couch, ready to sprint to the bathroom at any moment.

As I felt the milkshake begin to come up my esophagus and down my intestines simultaneously, I grabbed for the first container within reach - the empty milkshake cup - and ran to the bathroom. While sitting on the toilet, not only did I test the limits of the fragile, decaying rental house plumbing, but also filled up the entire plastic cup - to the rim - with white, foamy, warm vomit.

It was not one of my better moments, rivaling bouts of epic stomach flu, and epic hangovers.

After cleaning myself up - a long shower, an epic tongue and teeth-brushing session, and a change of clothes - I flopped back down on the couch, completely wrung inside-out. I knew I would never drink a milkshake, a root beer float, hell, even a glass of milk, ever again. Not that I ever wanted to again.

Well, I figured out what caused my stomach problems, at least.

In the ten+ years since learning that I indeed have a lactose intolerance problem, I've learned how to work around it pretty well. Obviously, common lactose intolerance is much easier to manage than something like a celiac (wheat) sensitivity, or a severe food allergy that can kill if you accidentally brush up against a shrimp. Lactose intolerance is annoying, smelly and uncomfortable, but it's not going to kill me even if it does give me the runs so bad sometimes I'd rather die than deal with the anus-burning evacuation. I just have to be aware of what I'm eating, and to always remember to carry Lactaid tablets. Over they years, I've learned what to avoid completely, what I can eat in very small portions, and what doesn't bother my digestion at all.

Completely off-limits are cow's milk, ice cream, most cheeses, any cream-based sauce (e.g., alfredo, bechamel). Even with chewing three or four lactose tablets before eating cheese pizza, real baked macaroni and cheese, or anything with hot melted cheese, there's still a very good chance for a extreme "moment of human urgency" right after eating. Even if I don't get the runs right away, there's still cramping and farting, followed by expulsion later. I just consider each of these cases on an individual basis, and decide if the pain is worth the taste. For cold cereal - a big staple of my diet - I've substituted in vanilla soymilk, which works just fine and has no ill effects.

In the somewhat safe category are butter, a teaspoon of half-and-half in coffee, goat's milk ice cream, hard aged cheeses like Parmigiano-Reggiano, most yogurt, and cream cheese. Also, if milk is baked into something, like pancakes, that's fine. I've been told that good, quality, aged cheeses actually lose lactose during the aging process and shouldn't affect me, and I've found that to be true. It seems to be only the gross, fatty, melty cheap supermarket cheeses that twist my stomach in knots. I can't explain why I can eat cream cheese or cow's milk yogurt with no problems. I have tried soy yogurt and found it to be one of the most disgusting foodstuffs I've ever tried to eat - with its foul smell and runny texture, it resembles a cup full of bacterial infection. Soy cheese isn't much better. Maybe I just haven't found the right brands yet, but I think that soy is better suited to making tofu and its ilk.

I really don't miss dairy products much anymore. In fact, it kind of grosses me out now to see large amounts of gloppy melted cheese on pizza. Pizza isn't about the cheese, it's about the crust and the sauce. There's a place near work where we often go for slices, and they always have some sort of cheese-less pie with just sauce, tomatoes, and pesto available. I don't get ice cream cravings much anymore since the milkshake incident, but I can eat goat's milk ice cream with no problem. However, there seems to be only one brand (LaLoos) and two flavors (vanilla and chocolate) widely distributed. It's also expensive ($7 a pint), and only sold at Whole Paycheck.

About the only thing I really miss are milk-based coffee drinks like lattes. Although they can easily be made with soymilk, it's just not the same taste. I also often long for oatmeal made with milk, not water.

I've found that one of the largest problems of being lactose intolerant is actually the strange looks from servers when asking for "no cheese" on a burger or a sandwich. I get questioned even further if I order an omelet without cheese in it. Again, I'm not going to keel over and die if I happen to eat cheese, but I shouldn't be questioned for not wanting to eat it, and don't assume that I can just "take it off the sandwich" or "scrape it off". Sure, I could do that, but I don't want to have to do that. It's not as if I'm trying to order quesadillas without cheese, I just want them to leave off the slice on a burger or in a wrap.

The other inconvenience is always having to carry Lactaid tablets, which I often forget to do. I've started keeping some in the car, at work, and stuffed in various old Penguin mint tins along with Imodium and Tylenol. Even with all this planning, I never seem to have a tablet available when I most need it.

Courtney Love once famously declared, "If you're going to eat cheese, take it out on a picnic, cut it up carefully, and really taste it - with wine or something. Don't melt it on shit. And I lost FORTY POUNDS by not eating cheese. And I even ate a little mayonnaise. All right? Skip the butter and skip the cheese and you will lose weight. I swear to God... Don't eat cheese. There are a million things to eat that are not cheese."

I never realized how much American food is served covered with cheese until I had to avoid it. It's really rather gross. There's way too much cheese used on pizza, and melted on the faux crap that tries to pass itself off as "Mexican" cuisine. I don't want a huge piece of cheese with apple pie (or ice cream, either). My "taste" for cheese, milk, and other dairy products has completely disappeared, and I don't miss it much anymore. Plus, some of my favorite cuisines are largely dairy free: Vietnamese, Indian, "real" Mexican, and Japanese. The increase in vegan and Kosher menus (and, in some cases Vegan Kosher) provides more choices as well.

Courtney was right, there are - if not a million, at least many - other things to eat that are not cheese (or milk or ice cream or alfredo sauce). I just need to find them.

Wednesday, June 16, 2010

WASTE: A Smile Hon, You’re in Baltimore! Production

While I have nothing against solo-written “journal style” perzines, I much prefer to read what the late Factsheet 5 called “quirky” zines, especially those featuring multiple contributors writing on one topic. My zine projects have always been collaborative efforts (with two or three exceptions, such as reading logs). It’s a format that works for me, and I enjoy working with lots of writers and artists to create each issue.

WP Tandy, the force behind Eight Stone Press, is a prolific compilation zine publisher. Under the umbrella of “Smile Hon, You’re in Baltimore!”, he’s published issues about transit, tattoos, sexual misconduct, crime, rats, and scars & broken bones, from a Baltimorean P.O.V. Each zine is well-edited with clean layouts, and a hoot and a holler to read. It’s publishers like WP Tandy, and his wife Davida Gypsy Breier (Xerography Debt, Leeking Ink, Rigor Mortis) that give me hope for the future of zines in an increasingly bloggy milieu .

In the latest installment, the “Smile Hon” contributors interpret the topic of “WASTE” in many ways, both expected and unusual. The result is a thick, satisfying issue that will make you laugh, wince, and say “ewww” more than a few times.

Yes, there are the poop stories. Long suffering Whole Foods employee Angie E. reports on serial floor poopers in the bath and body aisle in “Oh, you’ve got something on your...”. Gas station attendant Jeffrey L. Shipley writes about finding an ex-employee’s soiled underpants months after he crapped them in “Without Warning”. J. Gavin Heck discovers a pair of Mickey Mouse hands with a secret toy surprise in “Oh Mickey, You So Wrong”. Nemtez answers the question “Does a Nemetz Shit in the Woods?”. (Answer: Yes, and in full view a passenger train.) Of course, there is an essay about colonoscopy preparations.

More compelling than the poop stories are the contributions from authors who interpret “waste” in unusual ways. In Lisa Wiseman’s “In Defense of Getting Wasted”, she reasons that tying one on every once in a while is necessary for sanity: “I’d rather down a couple of shots of Tuaca then wind up in some clock tower with a rifle or walk around with a tinfoil hat to shut out the voices in my head or obsessively wash my hands 30 times a day and alphabetize my spice rack. Alcohol is far more efficient, and a hell of a lot more fun.”

Editor WP Tandy recounts his days working for the city on trash detail, and Dan Reed recalls “taking out the (human) trash” in a rough bar. Sharon Goldner wonders why women have to waste so many ova over the course of a lifetime. Earl Crown examines a decaying, hundred year old mental facility in Baltimore, complete with photos. The issue concludes with an especially moving piece by Timmy Reed as he confesses “A List of Unappreciated Whatever”. The few stories mentioned here are only a small part of the entire issue - there’s poetry, photography, and even correspondence as well.

WASTE is one of the best compilation zines I’ve read in quite a while, and it’s well worth your time and money. Highly recommended.

It would be a shame to let all this talent go to WASTE. (Sorry. It had to be said.)

WASTE: A Smile Hon, You’re in Baltimore! Production / Half-letter sized, 68 pp.
Available from Eight Stone Press, Atomic Books, and Microcosm Publishing, or by sending $4 directly to Willam P. Tandy, PO Box 11064, Baltimore, MD 21212.

(Full disclosure, I contributed an essay to this issue about my long relationship with sewage treatment plants entitled “Sewage Without Shame”.)

Thursday, June 10, 2010

Wizard World Philadelphia Comic Con 2010 Preview

So, I'll just come right out and say it:

There is an appalling lack of comic-related panels and programming at this year's Wizard World Philadelphia Comic Con.

During the event, which begins Friday, June 11 and runs through Sunday, June 13 at the Convention Center, there are three "Wizard School" workshops with artists Ethan Van Sciver, J.G. Jones, and Greg Horn. There is one publisher panel featuring local company Zenescope. That's it. Nothing else. No annual "Cup o' Joe", no DC panel, not even an indie comics panel, which is shameful, considering Philadelphia is home to two indie comic collectives: The Autumn Society and the Philadelphia Cartoonist Society. Philadelphia also has enough comic book shops that they could have run a panel on the changing nature of comic book retailing. Nope.

And this was the year they changed the official name of the convention from "Wizard World Philadelphia" to "Wizard World Philadelphia Comic Con", too. Truthfully, I hope that eventually Gareb Shamus (founder of Wizard Entertainment) changes the name of their convention tour back to simply Wizard World.

However, I'm not going to be one of "those types" who complains that "comic cons aren't about comics anymore!", as it's a pointless whine. Any convention is what you make of it. So, if you're in it just for comic publisher panels, this is not the best con for you.

That being said, while there is a severe lack of comic panels, publisher representation, and programming at WWPCC, this event does bring in a large number of comic book retailers every year, armed with long boxes, ready to sell stacks and stacks of back issues. As mentioned in last year's review, not only were there $1 boxes, there were 50- and 25-cent boxes as well. Graphic novels and collections (some slightly dinged) are usually half the cover price, or even cheaper. If you are willing to do some digging, and come with a list, it's possible to build up your comics library cheaply this weekend. I'm hoping to fill in my POWERS collection more, hopefully stumble upon some lonely, orphaned indie books as well, and continue pursuit of cheaply priced back issues of HEAVY METAL. Digging in the cheap long boxes is also a great way to grab a stack of comic to give to a non-comic reader to try to get them into the medium.

It also appears to be a very strong Artists' Alley at WWPCC 2010 again. In Artists' Alley, all sorts of comic-style illustrators display and sell their work. Yes, there are a lot of interpretations of Marvel/DC characters to be found, but if you take your time, you'll find lots of other nifty work as well for low prices. Many artists have postcard or trading card sets of their work available, prints of larger works, or mini-comics available for under a sawbuck.

In previous years, I've found some of my favorite popular culture-related work at WWPCC, such as last year's THE YOUNG ONES print by Scott Derby, and an FBI VERONICA MARS by Geek Boy Press the year before. Both artists will be in the Alley again this year, hopefully with more of their work. Often at conventions such as WWPCC, the Artists' Alley is neglected by the press and the attendees, so I am encouraging you to take time and really explore the back of the exhibit floor. Unfortunately, one of my favorite artists of the past two years won't be attending WWPCC, chalk mural artist Eric Maruscak.

A major component of the Wizard World conventions are the media guests from the realms of television, movies, and, um, professional wrestling. These media guests offer autographs and photos opportunities for a fee ranging from $5 to $60. Truthfully, I've always been conflicted about this, and have never paid for an autograph or photo opportunity with any media guests at any con I've attended. Yes, these people have to still make a living, and if selling their signature and posing for photos is how they have to do it, so be it. I've done some super-geeky fanish things in my time - standing on my friend's shoulders to meet Liz Phair through a second story window at SXSW many years ago, posing in front of Ardent Studios in Memphis, visiting Madame Marie in Asbury Park - but still haven't made the leap into paying for an autograph or photo. Even though I'd be paying for the opportunity, I still find it intrusive. However, that's just a hang-up me and my introverted personality have to deal with - I even get flustered having authors sign books for me at readings. (Plus, I take horrible photos.)

Media guests at WWPCC include Clare Kramer and James Marsters (Buffy the Vampire Slayer), Brent Spiner, Walter Koenig, Avery Brooks, Keegan de Lancie, John de Lancie (the various Star Trek franchises), Adam West and Julie Newmar, and, um, Tony Luke. (For those not from Philly, Tony Luke makes the best roast pork sandwiches in town. He also fancies himself an actor.)

However, the two major media scores of WWPCC 2010 are Sir Patrick Stewart and Mr. "I'm just a working actor" Bruce Campbell.

Excuse me a second.

OMG! SQUEEE! Bruce Campbell! The Human Chin! Ash! Brisco County, Jr.! Sam Axe! Groovy! Workshed! WORKSHED!

Ahem. Sorry. Lost composure there for a second when my repressed inner fangirl took over. Both will be doing a Q&A session (Campbell on Saturday, Stewart on Sunday), and doing autograph and photo sessions. See the WWPCC site for schedules. (Still don't know if I'll change my personal no photo/no autograph policy, though.)

Friday, June 04, 2010

Of Interest (Geek): 06.04.2010

+ A little late for the official anniversary (5/21), but another addition to the periodic table collection: The Periodic Table of The Empire Strikes Back.

+ Star Wars Loteria, a deck based on the traditional Loteria. Click on any card to see the original Loteria, and the re-imagining. As a fan of the original card art, this is one of the most insanely cool projects ever (and something else I should have posted on 5/21).

+ Geek-a-Week: 52 Weeks. 52 Geeks. One Challenge. Hopefully, there will be a printed set of these geek-related trading cards after all 52 weeks of geek are completed!

Tuesday, June 01, 2010

Picture Books

Two interesting ongoing comic projects with literary foundations:

The Page 100 Report is curated by Jason Turner, a Canadian cartoonist. The assignment is simple: pick up a book you love, turn to page 100, draw it in comic form and post it to your site. Jason has been maintaining a linked list of contributions, and there are some great interpretations of page 100's so far, including Fear and Loathing in Las Vegas, 2001: A Space Odyssey, and Carter Beats the Devil. This project is open to all!

Picture Book Report is an invited project featuring fifteen different artists illustrating scenes from their favorite books of any type, from juvenile fiction (The Giver, illustrated by Lucy Knisley) to novels (One Flew Over the Cuckoo's Nest, illustrated by PMurphy). In honor of the recent celebration of Towel Day, check out John Martz's illustrations for The Hitchhiker's Guide to the Galaxy, including drawings from his old high school sketchbook!

Here's an illustration by Kali Ciesemier based on Garth Nix's fantasy novel Sabriel. Beautiful!


And the passage it is based upon: "On these nights, Sabriel would lock herself into her study (a privilege of the Sixth Form–previously she’d had to sneak into the library), put the kettle on the fire, drink tea and read a book until the characteristic wind rose up, extinguished the fire, put out the electric light and rattled the shutters–all necessary preparations, it seemed, for her father’s phosphorescent sending to appear in the spare armchair."